{"id":1420,"date":"2005-03-28T16:52:00","date_gmt":"2005-03-28T15:52:00","guid":{"rendered":"http:\/\/diario.randone.com\/?p=1420"},"modified":"2019-10-09T16:42:50","modified_gmt":"2019-10-09T14:42:50","slug":"peter-patti-writer-3","status":"publish","type":"post","link":"https:\/\/randone.com\/en\/peter-patti-writer-3\/","title":{"rendered":"Peter Patti, Writer"},"content":{"rendered":"<p>Italian band RANDONE&#8217;s best album so far   <br \/>by Peter Patti    <br \/>&quot;You can&#8217;t teach the old Maestro a new tune&quot;: that&#8217;s what happens when Beppe Crovella (Arti &amp; Mestieri) decides to draw up his moog\/wurlitzer\/mellotron army in sustain of one of the bands of his ElectRomantic label.<\/p>\n<p>I always hear nothing but great tunes playing a Randone CD, but HYBLA &#8211; Atto 1 (&quot;A barock opera&quot;) is surely the best thing ever made by this group. Nicola Randone&#8217;s &quot;romanticism&quot; (Nicola has a surprisingly fine sense of melody; he could have been born in the Mozart-era&#8230; actually he&#8217;s born in that of Orme&#8217;s, PFM&#8217;s, and classic-time Banco&#8217;s) mixes here up with ancient Sicilian atmospheres, and we see how prog rock gives the hand to celtic-mediterranean music: an unusual (if you don&#8217;t already know PFM!) but pleasing combination. Track 9 is an example of it.<\/p>\n<p>The whole story behind HYBLA &#8211; that is, the necessity to tell the tale of old town Ragusa &#8211; is too complicated to be explained here. You better read the CD booklet notes.<\/p>\n<p>The mixing on this long, long CD is pretty faultless. It starts off deep and mellow, grows up into the rages of History and wars and features a few &quot;stronger&quot; gems such as the stunning &quot;Guardia alle mura&quot; and Genesis &quot;Magog&quot;-style &quot;Il terremoto&quot; (a theme which you can hear also on track 14, anyhow). I get the shivers down my spine everytime the violin or bariton&#8217;s voice let place to the &quot;modern&quot; instruments and the orchestrals build up into a gorgeous progressive anthem &#8211; as in track 18 &quot;La fine dei Chiaramonte&quot;, which contains the whole substance of this unique and enganging album.<\/p>\n<p>&quot;Giovinastro &amp; Lucsia&quot; is another sublime track with a passionate, saddening chorus. And in the successive pieces I hear variations from Selling England By the Pound &#8211; and maybe from Trespass? -. Beautiful.<\/p>\n<p>But it&#8217;s not all moog and mellotron on HYBLA. Graziano Raniolo&#8217;s sax playing is crisp and cleaning, and there are a few of nice guitar bits as well. Marco Crispi lead axe still reminds me both of metal prog and of some Pink Floyd arias (listen to track 12!)&#8230;<\/p>\n<p>My definitive word on this album: &gt;&gt;Sumptuos! Summery feel!&lt;&lt;   <br \/><b><\/b><\/p>\n<p><b>ITALIAN VERSION<\/b>    <br \/>C&#8217;\u00e8 un termine giovanilista tedesco che indica tutto quello che \u00e8 eccezionalmente bello, &quot;figo&quot;, &quot;toco&quot;: questo termine \u00e8 &quot;geil&quot; (pronuncia: &quot;gheil&quot;). E geil \u00e8 il nuovo CD dei Randone; non riesco a definirlo altrimenti.    <br \/>Stavolta Nico &amp; Co. hanno preso nel mirino la millenaria storia di Ragusa antica (&quot;Hybla&quot;) e, tanto per cambiare, non possiamo che sorprenderci per la complessit\u00e0 dei temi trattati, oltre che per la bellezza della musica.    <br \/>La Sicilia \u00e8 patria di diversi interessanti esponenti della new wave progressiva (un solo nome per tutti: la band catanese Malibran); dunque i Randone sono in ottima compagnia. Ma a contraddistinguere il gruppo di Ragusa \u00e8 senza dubbio il loro che di eclettico e genialoide, oltre al loro vasto &quot;campo d&#8217;azione&quot; che li vede impegnati in sinergie e collaborazioni anche nel resto d&#8217;Europa.<\/p>\n<p>Hybla Atto 1\u00b0 &#8211; A barock opera   <br \/>Come raccontare una gran variet\u00e0 di sequenze di sangue, sudore e fatica (l&#8217;essenza stessa della Storia) che ha dato origine a una civilt\u00e0 che poi altro non \u00e8 che un mix di culture tra le pi\u00f9 svariate? I Randone ci riescono in oltre cinquanta minuti ricchi e intensi, spaziando su tutti i registri del prog con l&#8217;uso di sonorit\u00e0 &#8211; e in parte persino del dialetto &#8211; di Sicilia, senza per\u00f2 trasbordare nel facile folklore da world music.    <br \/>Pietre, sangue, onore e tradimento sono il leit motif dell&#8217;album, e &#8211; come sempre quando il paroliere si chiama Nico Randone &#8211; vale la pena prestare una particolare attenzione ai testi.    <br \/>Come al solito, il CD \u00e8 in una splendida veste grafica e provvisto di tracce multimediali.<\/p>\n<p>I Randone hanno in programma la continuazione dell\u2019opera musicale e la realizzazione di un video dedicato alla Ragusa barocca&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8230;] I always hear nothing but great tunes playing a Randone CD, but HYBLA &#8211; Atto 1 (&#8220;A barock opera&#8221;) is surely the best thing ever made by this group. Nicola Randone&#8217;s &#8220;romanticism&#8221; (Nicola has a surprisingly fine sense of melody; he could have been born in the Mozart-era&#8230; actually he&#8217;s born in that of Orme&#8217;s, PFM&#8217;s, and classic-time Banco&#8217;s) mixes here up with ancient Sicilian atmospheres, and we see how prog rock gives the hand to celtic-mediterranean music: an unusual (if you don&#8217;t already know PFM!) but pleasing combination &#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[167],"tags":[166,146,101],"class_list":["post-1420","post","type-post","status-publish","format-standard","hentry","category-hybla-act-1","tag-hybla","tag-peter-patti","tag-randone","entry-post-skin-dark","entry","clearfix","entry-grid","entry-columns-default","entry-post-module-layout-fullwidth","no-post-thumbnail","entry-post","entry-masonry","entry-post-masonry"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pbksdC-mU","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/randone.com\/en\/wp-json\/wp\/v2\/posts\/1420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/randone.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/randone.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/randone.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/randone.com\/en\/wp-json\/wp\/v2\/comments?post=1420"}],"version-history":[{"count":0,"href":"https:\/\/randone.com\/en\/wp-json\/wp\/v2\/posts\/1420\/revisions"}],"wp:attachment":[{"href":"https:\/\/randone.com\/en\/wp-json\/wp\/v2\/media?parent=1420"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/randone.com\/en\/wp-json\/wp\/v2\/categories?post=1420"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/randone.com\/en\/wp-json\/wp\/v2\/tags?post=1420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}